PORTFOLIO

PORTFOLIO

mila@sfinksky.com

Mila Sniegocki Fink (Sfinksky) is a Zurich-based sculptor whose work explores the tensions between femininity, identity, and technology in today’s hyper-optimized world. With a Ph.D. in Management Science and a background in digital transformation, logistics, and AI (MIT-certified), she brings a dual lens to her practice — one rooted in logic and structure, the other in intuition and emotion.

Her sculptures — often large-scale, hand-carved in wood, cast in bronze, or shaped in clay — defy perfection. Raw, grounded, and unapologetically physical, her figures celebrate unidealized womanhood and the inner strength required to navigate motherhood, ambition, and societal pressure.

Mila also explores how AI reshapes the way we see ourselves. Through mixed media and digital processes, she confronts algorithmic bias and questions the future of beauty, spirituality, and embodiment in the age of machines.

Her artistic language is one of contrast: organic vs. engineered, ancient vs. futuristic, strength vs. surrender.

MILA SNIEGOCKI FINK

ARTIST | CONTEMPORARY SCULPTOR

Selected Works

Busy day | h@ly | don't mess with me | not so perfect | CAPTURED IN 10 | IN'OUT | REVEALED | RÓÓTS | AGAIN I | AGAIN II

Artistic Themes

Female Identity & Balance

My work explores the raw, complex reality of being a woman today — the emotional and physical balance it takes to navigate motherhood, career, and social expectations. Strength and vulnerability coexist in my sculptures, often captured through precarious poses and imperfect forms that defy idealization.

AI and the Human Identity

I am fascinated by how artificial intelligence is reshaping our understanding of identity, beauty, and even spirituality. In some of my works, I embed physical technological elements — like circuit board fragments — directly into organic, grounded sculptures. This contrast between raw material and digital trace raises questions about our evolving identity in a world increasingly shaped by algorithms. I reflect on how AI distorts human beauty and self-image, amplifying symmetry, smoothness, and idealized forms. My work challenges these patterns by celebrating texture, imperfection, and emotional presence — a reminder of what’s real, and what may already be slipping away.

Bridging the Physical and the Digital — NFT as Extension

I’m exploring how traditional sculpture can expand into the digital space. I intentionally use generative AI models to produce digital imagery — but instead of stopping there, I carry these visuals into the physical world through traditional techniques like Jelly Plate printing and analog photography. These become NFTs — not just as collectibles, but as extensions of the artistic idea.

This is a work in progress — an open-ended experiment that asks: Can something born from clay and wood carry its essence into pixels and code? And how might that shift the way we experience permanence, ownership, and presence in art?